21Mg 3" Series

For the ambient die-hards out there who may not want to take any chances on our regular CD catalog being too varied and experimental, this is for you. An ongoing series of three-inch "white sleeping pills" that is guaranteed to be 100% ambient, for maximum aural sedation. Our recommended dosage is one 21MG per month, as the substances contained are in a "time-release" format for your ease and pleasure.

 
UPDATE 01/03/2010:

2009 PILL BOX IS NOW AVAILABLE IN THE SSR SHOP!

We have finally completed the missing eight 21Mg Series pill-discs. Due to the end of the year time crunch we are not going to be selling these eight pill discs separately. *For those of you that already ordered pills this year please get in contact with us HERE so we can give you a special deal to complete your 2009 series.

 

2010:

 

COMING SOON!

2009:

 

PILL - S2

Brian Grainger - O Cold Bones Of Lucifer

Brian's farewell to 2009 comes in the form of a psychedelic chorus-drenched raga in A major. Played in a trancelike repetition, this movement will burrow into your consciousness and light up your insides like the spheres of the cosmos themselves.

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PILL - S1

David Tagg - The Falcon Star

David's guitar playing on "The Falcon Star" could be some of his most monolithic yet. You can almost hear galaxies forming in the giant pools of warmth left behind by his trailing tones. This is the music of pure creation.

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PILL - R2

Brian Grainger - Puncturing Sacred Cloth

A lonesome slide guitar plays the sleeping pill blues. If you've been following the series for this long, you should know what that sounds like. Twisting chords sadly weave into and around each other, before disappearing into dust and decay.

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PILL - R1

David Tagg - The Fullness Of Ivy

Majestic columns standing in front of a white stone cathedral in the forest. A shadowy line stretching over a sundial. An ornate fountain with no water in it. The echoes of time passed. The fullness of ivy.

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PILL - Q2

Brian Grainger - Swept

Brian's "Swept" continues in an aquatic fashion, with the aural equivalent of blurred lights bobbing through murky blue fog. Played entirely on organ and pedalbass.

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PILL - Q1

David Tagg - Ocean Division

Taking literal cues from its name, "Ocean Division" sounds as if you're inside a submarine, hearing and feeling the rumbling pressure of the water beyond the vessel's walls. Sounds from the deepest depths.

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PILL - P2

Brian Grainger - Millions Of Glowing Eyes White With Devotion

"White With Devotion" sees Brian returning to monochrome pastures to mine woodsy, warped tones that swell in and out, bending ever so slightly, like a ripple in a neon pool.

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PILL - P1

David Tagg - Keys To The Kingdom

"Keys To The Kingdom" paints a vivid picture of swirling orange and yellow cloud formations. Ascending to seemingly infinite heights, translucent guitars chime like giant bells in some sweeping heavenly plane. Tectonic plates of lava shift under a gaseous construct where glory awaits.

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PILL - O2

Brian Grainger - Sunken Swamp Wisdoms

PILL-O2 brings the dark back with Brian's "Sunken Swamp Widsoms". A heavy, pregnant bass drone creaks and groans in the belly of a warped wooden container. The chord's muffled joints bend like wet dinosaur bones and eerie archs of humming midrange tower above your head. Deep, murky and almost slightly scary, and a very dynamic companion piece to PILL-O1.

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PILL - O1

David Tagg - Carolina Allspice

PILL-O1 offers a much lighter atmosphere, titled "Carolina Allspice". David builds a very open and friendly mood with wobbly flutters of lead guitar and reel-to-reel looping. Using this as a backdrop he plays the occasional lazy guitar line to mesmerizing effect. This is the sound of Spring in limbo, or a very humid climate with birdlike melodies floating through the air like smoke.

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PILL - N2

Brian Grainger - Winter Triptych

PILL-N2 is Brian Grainger's first pill disc of the year: "Winter Triptych" is a procedurally generated piece built around loops in varying states of decay. Warbled patches of two-note pad sounds play in and out of phase, as more layers of bent loops eventually surround the stereo field. A warped tonality emerges like excess pressure emanating from an unstable pipe, and for 20 minutes you can almost see the air thinning out. Burbling drones grow out of a gaseous cloud weakly, giving the impression that nothing is stable enough to repeat for too long. A very dark piece, and a totally unique one for Brian to start 2009 with, bearing little to no similarity to anything else he's released at SSR before.

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PILL - N1

David Tagg - A Spindle Of Regret

PILL-N1 starts 2009 right with David Tagg playing some incredibly minimal drone guitar. "A Spindle Of Regret" is twenty minutes of a sleeper ship floating through space...the intense silence of space somehow mutes the humming sound of a large engine, and you feel as if your body is contained in a stasis chamber of some kind, in suspended animation, in a warehouse-sized room filled with a hundred other sleep chambers...all empty. The singularity and loneliness inherited from "No One Came Out Last Night" is quite present here, yet something feels different. We can't help but feel that 2009 will be yet another totally different chapter in the 21MG Series.

LISTEN

 

2008:

 

PILL - M2

Brian Grainger - Wind Speech

A cozy acoustic guitar piece that carries a similar sadness to David's previous Pill. Wispy, bedroom string tones fill with musty air and Winter solitude, forming a pillar of pure gaseous melancholy. A three-note bass line eventually makes itself audible, and small sections of ringing loops cascade in and out of the mix. Almost a bookend piece with Brian's first Pill of 2008, "Sun Trails", and a stately finale to this year's twelve Pills.

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PILL - M1

David Tagg - Deception From The Mountain

David Tagg's muted guitar improvisation "Deception From The Mountain". Bearing immediate resemblance to his Skin Diagram EP, this could almost be old-school David Tagg. Deep and warm like a steaming clear bath in a dimly lit cavern, so quiet that you can actually hear yourself think. It is the sound of absolute reflection, both physical and mental. David's craft continues an inward path that charts almost painfully sad waters like these, but it's difficult not to get lulled in to the warmth. This is a beautiful year-ender for David, and a longing glance back at the smiles and sorrows of the past.

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PILL - L2

Brian Grainger - Tenth Glowing Arch

a mountainous, granite-thick drone by Brian Grainger named "Tenth Glowing Arch". The title is refers to this being Brian's tenth contribution to this series, and an epic one at that. Conceived and improvised in the vein of his recent 3CD album "Porous Variations", this piece is twenty minutes of humming hallway tonalities, buzzing ever so slightly, like an endless fluorescent overhead light in a corridor ten miles long. Muted movements inside the drone subtly shift it from its otherwise straight-lined path, while a sub bassline manages to warm up the stereo field. Perfect isolationist listening for the colder months.

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PILL - L1

David Tagg - A Kingdom Of Dusk

A wonderful musty 20 minute walk through Autumn, guided by none other than David Tagg. A murky wobbly tape surface transparently wraps David's ebbing drones, and the effect is a beautiful phased out piece that is both colorful and gracefully aged. Possibly David's most low-fi recording yet, and a little bit of a precursor to his next album, "Wind Blown Guitar". This piece is titled "A Kingdom Of Dusk" and your Autumn wouldn't be the same without it.

LISTEN

PILL - K2

Brian Grainger - Painted Green

This guitar piece coincidentally goes very hand-in-hand with Nine Billion Names, melodically and texturally, even though they were recorded separately. A sort of an ode to Summer, waving goodbye to the glowing heat and the wet urban lawns that overtook the last 4 months, while welcoming a new season of vibrant colors, festive smells and cooler weather.

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PILL - K1

David Tagg - Under The Dirigible

A synth-monolith titled Under The Dirigible. A massive 20 minute piece done in a similar vein as David's EEDCD-07 album, this dream state fog occasionally gives way to padlike harmonies and muted chords. Bathed in reverb that sounds like it's channeling an uninhabited planet, and totally perfect for winding down after a long day.

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PILL - J2

Brian Grainger - Kerguelen Plateau

Kerguelen Plateau, named for a continent-size landmass that remains completely underwater, embodies the perfect complement to David's Bathymetry piece. Melodic guitars weave in and out of a warm-water drone, and a bit of Roy Montgomery influence can be traced here. This piece is filled with bright blue and orange tones and accurately conveys the over-100-degree temperatures active in Brian's southern home this summer.

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PILL - J1

David Tagg - Bathymetry

What was originally an outtake from the Waist Deep Seas Of Milk sessions has gathered some dust and matured into May's 21MG Series release from David Tagg. Over eighteen minutes of sloping guitar notes that sound like a foggy weathered rock-beach in another uninhabited dimension. The water there is still too, and stretches out into a flat vanishing point on an endless horizon. Everything is white and perfect and motionless, and this echo of David's beautiful album is yet another melodic addition to the 21MG Series.

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PILL - I2

Brain Grainger - Guided By Leaves

Guided By Leaves is a moody wash of crackly drones surfacing from some distant space-ether. Recorded entirely with Brian's voice, this piece begins
tonally but eventually warps into a warm haunted fog. Lonesome ghosts of trees along an empty highway, singing to no one.

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PILL - I1

David Tagg - The Bearded Dragon

Brilliant and bright improvisation called The Bearded Dragon. Composed using only a snake charmer and manipulated reel-to-reels, this release sees David at his most Eastern-sounding yet. Shimmering oranges and reds pulse in a foggy opium-den haze, and you'll find yourself floating on a bamboo raft through exotic Pacific waters with the smell of incense all over your clothes. Sun-baked and hot, The Bearded Dragon is a perfect aural companion to your sunny Spring days.

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PILL - H2

Brian Grainger - Sun Trails

Quite possibly the most melodic pill-disc yet, Sun Trails is a warm solitary guitar improvisation that depicts a cool blue landscape being gradually covered with pure orange heat and light. A pretty swell of chords that is eventually taken over by the longing drones of sadness, where you can almost hear Spring calling after Old Man Winter has passed out asleep in the woods.

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PILL - H1

David Tagg - Thawed In Low Light

Improvised on dulcimer and reel-to-reel tape to build a slowly warming wall of light that will erode the cold outside and massage your inner-ear with the most comfortable tones you can imagine.

LISTEN

2007:

 

PILL - G2

Brian Grainger - Milk Plus

Milk Plus is also an improvised ambient counterpart to Brian's track "Milk" from his Silver Surfaces Washed White album at Install. As the title might indicate, you can expect soft tonal guitar-drones that will warm your ears before sending you to sleep like a steady drug, of course keeping in line with Brian's style of subtle sound-evolving over twenty minutes.

LISTEN

PILL - G1

David Tagg - White Opium

Blissed out and calmer than ever, David narrates with his guitar a scene of slow-motion snowfall on bluish fields that extend as far as you can tell. Warm and cozy and unobtrusive, White Opium is what happens when time stops and for a few incoherent minutes, all is well in the universe.

LISTEN

PILL - F2

Brian Grainger - Chrominance


A buzzing, vibrating wall of feedback, drowned under slabs of subtly pitch shifting delays. What could be an incidental soundtrack to a submarine visiting underwater cathedrals, Chrominance is yet another 21 minute fuzzed-sidetrack for your day.

LISTEN

PILL - F1

David Tagg - Fluorescence

Smooth, harmonic guitar laid out in an unbroken, straight line across 21 minutes. Continuing in a similar direction as Metal Box Requiem (or even Brian's "Deserted Lifeboats" disc), this is perfect music for the later hours and another perfect chapter in the 21MG Series.

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PILL - E2

Brian Grainger - One Four Nine

Written and performed entirely on solo electric bass, One Four Nine is a deep watery drone meditation that thickens as you progress further into it. Fattened harmonies slowly emerge from blurry chords and once again you're lulled out of reality for 21minutes.

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PILL - E1

David Tagg - Metal Box Requiem

This disc is a real treat for fans of minimal drone, as it's quite possibly David's most minimal release yet. Bringing to mind images of slight condensation on silver metal from the cool northern air creeping in at night, Metal Box is tonally similar to some of David's drones on No One Came Out Last Night. Simple, still and beautiful.

LISTEN

PILL - D2

Brian Grainger - Raindrop Organ

a smooth sonic accompaniment to a drizzly rural afternoon. Velvet-soft organ melodies are draped over a lush chordal drone that moves at the speed of honey, and sounds just as sweet. Add to that a sub-bass foundation filled with perfect imperfections like an old crackly paperback. Music for a damp summer day.

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PILL - D1

David Tagg - Song For Sabra

David coaxes delicate soft tones out of his guitar, rounding out buried progressions with patient erosion. Elegant and pretty, yet somehow full of loss and sadness.

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PILL - B2

Brian Grainger - Deserted Lifeboats

collapsed melancholy of stranded feedback, muffled through waves and wind on a bleak, open sea. Brian Grainger continues to mangle his guitar into unintelligible poems of solitude.

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PILL - B1

David Tagg - Bell Island

Stretched drone-tones, this time translated through various bell sounds instead of Tagg's staple guitar playing. Very meditative, singular and spacious, Bell Island really takes us to a wide open expanse where we are alone and everything is calm.

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PILL - A2

Brian Grainger - In a Silver Marsh

"Silver Marsh" is a drone odyssey composed entirely on acoustic guitars.

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PILL - A1

David Tagg - The History of the Merchant Marines


David Tagg's beautiful guitar-drone epic "The History Of The Merchant Marines". 21 minutes of soothing pillow-soft guitar drones with little hints of melodies and chordal changes buried within.

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